![]() Outside, some soldiers take Vidal to see two captives they found nearby. “A son should be born wherever his father is,” Vidal insists, but Ferreiro tells him that he is not so sure the baby is a boy. When Vidal asks about his son, Ferreiro tells him that he has nothing to worry about, but that Carmen ought not to have traveled so late in her pregnancy. We see Vidal in his office cleaning a pocket watch, as Ferreiro enters and tells him that Carmen needs rest. The rose wilts, Ofelia says, unable to help anyone achieve immortality. The only problem is, there are poisonous thorns surrounding the flower, and no one dares to pluck it. Her story involves a rocky, volcanic landscape in which a magic rose blooms, one which makes whoever plucks it immortal. When the baby begins to act up, Carmen asks Ofelia to tell it a story, which she does. “Why did you have to get married?” Ofelia asks, and her mother tells her that she was alone for too long. Ofelia goes to bed with her mother, but is kept awake by creaking and wind. When Mercedes turns around, she sees that Ofelia has been spying on them. ![]() He hands her a package and apologizes, saying that it is all he could get for the patient in question. After he leaves, he meets Mercedes in the hall and she tells him to go visit someone who has a leg wound. As he discusses his plans for trapping and harming the rebels, Mercedes listens in, intently.ĭoctor Ferreiro visits Carmen in her bed and prescribes her two drops of something to help her sleep. We see Vidal and an advisor talking about the fact that the guerrillas they are tracking in the woods-republican rebels-are hard to find and catch. “The captain is not my father,” Ofelia tells Mercedes, elaborating that her father was a tailor who died in the war. ![]() “Better not go in there, you may get lost,” she says, as Vidal interrupts them. Mercedes comes up behind her and tells her that it’s a labyrinth that’s been there a long time. There she sees a large stone archway with a screaming head above it, and the start of a stone labyrinth. He notes this and calls to Mercedes, a servant, telling her to bring the luggage in.Īs she gets out of the car, Ofelia sees the insect from the forest and tries to catch it, chasing it towards a grove of trees. Ofelia gets out of the car and greets Vidal with the wrong hand. He greets Carmen and touches her belly, before inviting her to sit in a wheelchair, in spite of her insistence that she can walk. We see Captain Vidal, Carmen’s new husband, waiting for them at his residence, annoyed that they are fifteen minutes late. “I saw a fairy,” she says to her mother, as Carmen ushers her to the car and urges her to refer to the Captain as “Father” when they arrive. She watches the insect fly away as her mother calls to her. She places the rock with the eye into a hole in the pillar, and a large insect crawls out of the pillar’s mouth hole, startling her. ![]() Ofelia, meanwhile, wanders a little ways into the large forest in which they have stopped.Īs she walks, Ofelia notices a rock with an eye etched into it, which she keeps for herself before wandering towards a large stone pillar with the etching of a man’s face in it. As they both get out of the car, Carmen tells Ofelia that the baby, a boy, is not well, and leans over the side of the car feeling sick. Suddenly, Carmen becomes nauseous and asks them to stop the car. Carmen asks Ofelia why she brought so many books if they are traveling to the country, before looking at the book of fairy tales she has brought. We see a girl, Ofelia, reading a story in the back of a car with her pregnant mother, Carmen. He goes on to tell us that the princess died in the above-ground world, but her father the king knew that her soul would eventually return “in another place, at another time.” We see the princess escaping, and climbing a large staircase, as the narrator tells us that the sunlight blinded her and erased her memory. She dreamt of blue skies, soft breeze, and sunshine.” Hidden in the mountains, armed men are still fighting the new fascist regime.” We see a child lying on the ground with a bloody nose, as a narrator tells us, “A long time ago, in the underground realm, where there are no lies or pain, there lived a princess who dreamt of the human world.
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